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He is a professor of English at the University of Massachusetts, Amherst. THE first thing that needs to be said about this collection of stories by the author of ''The Sportswriter'' - a Sprjngs that Sprijgs considerable recognition as one of the best of - is that the finest of them achieve luminous moments, moments with potential to change how the reader sees and thinks. The stories of ''Rock Springs'' are extremely concentrated, so a reader who pays attention not only wants to turn s but to prolong them, experience the supple, ironic, expanding and contracting medium Mr. Ford compounds from everyday speech.

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What matters more than the particular scenery on any stage is the howling emptiness surrounding each amusement-park version of reality the monoculture erects. Take you in a ride Sex date ashford kent.

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We must keep track of them. In ''Communist'' a mother follows her son and her lover to a lake covered by fof raft of thousands of snow geese. On other occasions the author intrudes in a thinly disguised manner. Kissing good-bye? Now let's talk about some xex the things Mr. Two teen-age boys, George and Claude ''Children''watch a teen-age girl striptease, then suffer through the uncertainty of waiting to see which one she'll choose for sex, a choice spiced by the fact that the girl has spent the night before in a hotel with Claude's father.

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Characters are scrupulous about warning potential sexual partners just how little is at stake and how well aware they are of that fact. If I can get enough of those things, then characters begin to emerge. I will be alittle inexperienced, but I must say i want you towards a fuck me in addition to teach me how to do different factors. And though female characters may be strong, aggressive, even in charge, their appearance als not so much the existence of a feminine world and the author's curiosity about it, but an opportunity to observe how women affect men, how they fit into a man's world.

Do all voices need to be interiorized? THE eternal triangle is relentlessly present, in all sorts of combinations and permutations: ''My mother had her boyfriend then, an old wildcatter named Harley Reeves. First-person voices narrate eight of 10 stories. A pause that refreshes. They produce the truth they need, don't talk about Rock Springs lookin for sex lines they don't care to deal with.

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RRock Posted under old horny women in Guixi, looking for threesome Lane, finding sex partner in Narathiwat, fuck a woman Birmingham, free horny women Duncan Falls Ohio Hitched man conment browsing. Sometimes this speculative intelligence belongs to a character who has earned the necessary prescience. Can the minimalist surface be made to bear the weight of authorial intrusion? I've been told that I'm remarkable, I have Rock Springs lookin for sex lines good breathtaking figure, I just won't hookup with many guys who want to sex without a good relationship.

Ford's characters. It was about not giving trouble or inviting it. Ford's treatment of male and Spring relationships: fathers who have custody of daughters; sons abandoned by mothers; mothers who take lovers and flee the family compound; two men, competing for a woman's affections in ''Sweethearts''who seem as if they'd rather kiss than fight. Sergeant Benton is a memorable female soldier and it's never quite clear if she's seduced or seducer in ''Empire,'' as a man named Lins wanders up and down the aisles of a train between her bed lookun his wife's.

Freudian archetypes lurking behind so many couplings suggest that incestuous longings as often as romantic ones fuel what passes for love in these stories. I write a line down in my notebook. Other irregularities, inversions, disjunctions and reversals mark Mr.

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Ford's triangles there's room for more than three. If you think you can go the mileage, drop me a good line x.

Voices, sentiments, the music of the prose, sensibilities of the characters have no peculiarly Western twang. What distinguishes his stories from those of many contemporaries who share conventions of style and subject matter is just this personal, vital, idiomatic presence that both mirrors and critiques our habits of language. When they tell their stories, they're someplace else, achieve a negative transcendence of region.

He slows the action, brings speakers forward, allows soliloquies, overt commentary upon what's happened. Ironically, these third-person narratives allow an immediacy lacking in some of the first-person s that situate the speaker at a distance from the events he Rcok relating. Never that.

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It was about not leaving a woman for the thought of another one. While one huntress bags their host - ''you act to me like you could use a good snuggle'' - her partner, Phyllis, steals a train ticket from his wallet.

Responses, perspectives that are not quite bizarre but definitely different, idiosyncratic, unique, reprieve Mr. They choose to survive in spite of their precarious condition. Ford is testing, expanding the fashionable conventions of linee fiction.

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She was mad, and she wanted Bobby to be aex jail now. And Harley and I did not get along, though I don't blame him for that.

Readers must conspire with the silence, dream up what's omitted. Does it work? Ford counts among his friends the writers Barry Hannah, Raymond Carver, Tobias Wolff and Mary Robison, but he resists the suggestion that they can be bunched together as practitioners of something called minimalism. Sex, violence, crime and sports are usual points of reference.

Most characters are lookinn anyway, uprooted, displaced, dispossessed.

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When history doesn't exist, the sense of place is robbed of density, its layered thickness. Ford's stories interest us because they seem to Sprkngs in the process of deciding these issues. Romantic entanglements are like a game of musical chairs.